Trustworthiness and the Psychology of the Con

The Boston Globe looks into the art of the con and psychology of trust. Researchers have found that our we make judgements upon initial introduction, usually based on how closely appearance and other superficial factors mirror our own.

Researchers have discovered that surprisingly small factors - where we meet someone, whether their posture mimics ours, even the slope of their eyebrows or the thickness of their chin - can matter as much or more than what they say about themselves. We size up someone’s trustworthiness within milliseconds of meeting them, and while we can revise our first impression, there are powerful psychological tendencies that often prevent us from doing so - tendencies that apply even more strongly if we’ve grown close.

Once these impressions are made, it is very hard to override them– “unbelieving the unbelievable.”

…Though we live in an era of worry over faceless Internet predators and Web identity thieves, we can be at our most vulnerable face-to-face.

Alex Pentland’s study of signals, mimicry and his so-called Sociometer are mentioned in the article. His book, Honest Signals is due to be released in October.

Somebody would smuggle one in, but you didn’t know that person. You asked around, and somebody would give you a cassette: a copy of a copy of a copy.

—Metallica Fan in Bucharest on finding Metallica releases in the early 1980's

Cav

‘But,’ said the Empress, ‘there is some likeness between maggots and cheese, for cheese has no blood, nor maggots neither; besides, they have almost the same taste which cheese has.’ ‘This proves nothing,’ answered they, ‘for maggots have a visible, local, progressive motion which cheese hath not.’ The Empress replied that when all the cheese was turned into maggots it might be said to have local, progressive motion. They answered that when the cheese by its own figurative motions were changed into maggots it was no more cheese.

– Margaret Cavendish, The Blazing World (1666)

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The artwork of Sophie Kern.

(via Crowley)

Bleex

Since Implicasphere aims to resurrect overlooked and curious things that have evolved in the bell jar of their own peculiar history, on principle, we never commission or use content created specially for us.


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(via cheesedip)

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are you trying to make me look bad?


ok, that actually looks pretty cool but I don’t think I could stare at it all day.


related: 3D Glasses scheme.

This was supposed to be a Tron color scheme, but I don’t think it quite captured the essence of the Tron universe.


In one segment of the film a small frightened senorita walks beyond the edge of the border town and then back again, while her feelings and imagination keep shifting with the camera into the sagebrush, the darkness of an arroyo, crackling pebbles underfoot, and so on until you see her thick dark blood oozing under the front door of her house. All the psychological effects– fear and so on –were transferred to within the non-human components of the picture as the girl waited for some non-corporeal manifestation of nature, culture, or history to gobble her up.

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The homemade landscapes of Australian photographer Magdalena Bors.

(via Shoot!)

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I know way too many of these.

(via waxy links)

But then again I am somewhat the opposite of Alan Moore, in that I regard screen adaptations of my work with little more than simple childlike curiosity.

William Gibson on the Neuromancer film

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Ray Fenwick’s Illustrated Guide to a Life of Mystery.

Tiny Showcase Presents the first in a new series of mildly factual, mostly fictitious, educational posters.

(via MB)

Is it necessary for me to point out that in the detail views all the little phrases in the background (the witchmaster’s key, the melted coins, devil’s paw, missing chums) are Hardy Boys titles?


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More DJ’s living rooms here.


“Never Mind the Bullocks”?


through 1992 that’s a pretty good list.


Time article from 1993. amazing read.


Now a new subculture is bubbling up from the underground, popping out of computer screens like a piece of futuristic HYPERTEXT


oh man, more nuggets of greatness:

The newest, a glossy, big-budget entry called Wired, premiered last week with Bruce Sterling on the cover and ads from the likes of Apple Computer and AT&T. Cyberpunk music, including ACID HOUSE and INDUSTRIAL, is popular enough to keep several record companies and scores of bands cranking out CDs. Cyberpunk-oriented books are snapped up by eager fans as soon as they hit the stores. (Sterling’s latest, The Hacker Crackdown, quickly sold out its first hard-cover printing of 30,000.) A piece of cyberpunk performance art, Tubes, starring Blue Man Group, is a hit off-Broadway. And cyberpunk films such as Blade Runner, Videodrome, Robocop, Total Recall, Terminator 2 and The Lawnmower Man have moved out of the cult market and into the mall.


nostalgic cyberpunk retrofuturism is so late 2004 / early 2005.